Dostoevsky
intense, penetrating, introspective, questioning, provocative,
profound, despairing, intriguing, dark, philosophical
diverse, effervescent, archetypical (symbolic), exciting, surprising, tragic,
very intellectual but also passionate
read most swiftly and naturally
A profoundly moving human drama, a meditation on the human condition. Dostoevsky's last novel is his masterpiece. This book has so much (in it's 800 pages), an Existential murder mystery, an examination and questioning of the purpose of faith and the value and intentions of religious organizations, humor and satire. It is filled with burning emotion, insanity, evil and good; profound contemplations on the meaning of life.
It's is a story about the struggles of the human soul in its quest to find God and redemption; it suggests that redemption is only possible through suffering which is the path to the self-knowledge that is necessary before one can truly love God and others.
"Where there is no God, all is permitted." - Dostoevsky
This quote says it all: this novel explores the consequences of man's denial of God in his life.
The circumstances of the story presents it's intriguing characters mired deeply in the human condition (in this book, perhaps predicament is more accurate). This touches so squarely on the dilemmas of life that the story is truly a classic and timeless and will be meaningful as long as humans are human.
Many years ago, I spend a winter reading all the "great" Russian
novels. This was easily my favorite and one that I have reread several times.
This is the story of a despicable, bitter (but rich) old man and his
three sons. Each son is unique in character and seeking to find their way
individually and in different directions. Obviously these characters portray
aspects of each human personality: Mitya worldly, sensual; Ivan intellectual,
practical; and Alyosha kindly, spiritually. (And the "4th brother", Smerdyakov,
is the worse truly evil, sly, interfering, and cruel)
A woman seeks to win the father (for his fortune), there is distrust, a love-triangle, a murder and a mystery. Near the end, there is a surprising psychological plot twist that was completely innovative then, and has been copied a hundred times in recent movies.
Alyosha (the spiritual seeker) stands heroically (apparently) for the virtuous life (through a connection with the Divine) though surrounded by deception, violence, greed, depravity, indolence and corruption (that is sin and denial of God or Higher Purpose).
In the end, through all the dust and struggle, the story becomes
a testament to the goodness and bravery of those humans that choose to embody
those virtues. Most people (in this story) sink into the mire, unaware of the
truth, unaware of their potential, unaware that they have the power to choose
their "way of being"; instead they wallow in greed, sloth and (therefore) are
consumed in the resulting suffering.
The novel is very historical and nationalistic in the political/social/religious
picture that it paints (mid 19th Century Russia) and it judges religion in complete skepticism,
culminating in the famous chapter 'The Grand Inquisitor' which is a devastating
critique of organized religion. (which can be read on it's own). It is also the
earliest deeply "psychological" novel that I know (maybe outside of the Gothic
writers).
Through reading this novel, one can only be awakened to the import of being lucid enough to freely choose and decide one's "way of being" in life, rather than inheriting, and accepting (or even worse being driven) without questioning (and choosing) the role and part we play in life. This is truly a work of art than can change a person's view and perception of life.
Why 4.5 stars instead of 5? The book does have excess wordiness and too much repetition (I think it was a serial publication, he's was paid for length) and the 800 pages could easily be edited down by 100 or more pages and would only gain in the reduction. But still a masterpiece.
ALTERNATIVE TRANSLATION: Constance Garnett is always a great translator of Dostoevsky. Pevear is more literal (so I'm told; I don't read Russian).
Beautifully written, this is the single volume 984 page abridged version of the 5 volume original.
Every page of the huge book, was fun to read because of the literary, philosophical and historical reference.
Here's a quote:
The IdiotLeo Tolstoy ... translationRating ***** 4.5 stars out of 5. an intense, deeply moving human drama; unquestionably a masterpiece |
Underrated , not a perfect novel, I found it a bit slow and meandering after the midpoint (for about 100 pages), but still a great story and may be my second favorite Dostoyevsky novel.
There is a great DVD version in Russian, with rather poorly translated subtitles, very well worth watching.
This film of Dostoevsky's "Idiot" by director Vladimir Bortko is a work of
art and genius. I watched this 10 part, 8 hour long mini-series immediately
after reading the novel. "Idiot" is one of the best
novels I have ever read, and this film is one of the best movies I have ever
seen.
With a few understandable exceptions, the film is true to this
brilliant novel in ever detail. Director Bortko and writer Kathrine Travinskaya
have meticulously (reverentially) translated Dostoevsky's novel to film: the
dialog, internal thoughts, facial expressions, gestures, character movements,
settings, costumes, buildings, etc., etc., are impressively true to the novel.
One might enjoy this film more without prior experience of the novel but the
poorly translated subtitles may be confusing, so would be better to read the
novel first).
The casting is nearly perfect: even minor
characters have been meticulously well cast. While it is true that some of the
actors may be too old for their parts, their superb acting justifies their
selection for their roles. The performances are totally believable and deeply
moving. I was particularly impressed by the performances of Yevgeni Mironov (as
Myshkin), Lidiya Velezheva (as Nastassya Filippovna), Vladimir Mashkov (as
Rogozhin), Inna Churikova (as Lizaveta), Aleksei Petrenko (as General Ivolgin),
Vladimir Ilyin (as Lebedev). I was very moved by the performance of Lidiya
Velezheva during the scenes of Nastassya Filippovna's birthday party; she
brilliantly and seamlessly shifts back and forth from a vicious coquette to a
destroyed little girl. Of course Yevgeni Mironov's performance is so perfect and
convincing, he was not really acting at all; instead, he surely must have been
channeling the very soul of Prince Myshkin from the mind of Fyodor Mikhailovich
Dostoevsky himself.
Very well done. Great directing, great actors, except for Nastasya Fillipovna's part, but I though she was better near the end.
Bortko's direction is impeccable. I was also very impressed with the settings, art
direction, lighting, costumes, and cinematography.
The problems with the
subtitles are trivial compared to the overall greatness of this film. In the
case of rapid (sometimes multi-character) dialog you may have to replay sections of the
DVD to catch everything.
All of the menus on the DVDs are in
Russian; here is how to turn on the English subtitles. From the main menu,
the top selection will start the film; the second selection will bring up a part
selection menu; the fourth (bottom) selection will bring up a menu to turn on
English subtitles.
In the second menu the 2nd section is English. Then
return to the top and play.
I highly recommend this film
to anyone who loves great literature and great cinema.
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